Out Now: Breaking the Frame: Subversion from Within

Out now for your summer reading pleasure: Kunstlicht’s latest double issue, Breaking the Frame: Subversion from Within. The issue looks at artists who undermine institutional conventions, and frequently institutional space, to pose a challenge to authority. But it also takes into consideration the fact that “subversive art — like subculture in general — is perpetually at risk of being maneuvered into the cultural mainstream.”

With an editorial by Angela Bartholomew and articles by Susan Power, Catalina Imizcoz, Rachel Schwartz, Alida Jekabson, Isabelle Sully, Eva Fotiadi, Rosa te Velde, and Luna Goldberg, and including artist’s contributions by Gian Luigi Biagini, Patricia Kaersenhout, and Dick Verdult.

Get your copy here and keep your eye out for the second issue on subversion in artistic practice to come out later this summer – and be sure to reserve September 8th in your agenda for a launch extravaganza featuring none other than Dick El Demasiado to take place at Quartair Artist Initiatives in Den Haag!

Vol. 38, 2017 no. 1/2, Breaking the Frame: Subversion from Within

Breaking the Frame: Subversion from Within looks at artists who undermine institutional conventions, and frequently institutional space, to pose a challenge to authority. But it also takes into consideration the fact that “subversive art — like subculture in general — is perpetually at risk of being maneuvered into the cultural mainstream.” With an editorial by Angela Bartholomew and articles by Susan Power, Catalina Imizcoz, Rachel Schwartz, Alida Jekabson, Isabelle Sully, Eva Fotiadi, Rosa te Velde, and Luna Goldberg, and including artist’s contributions by Gian Luigi Biagini, Patricia Kaersenhout, and Dick Verdult.

To table of contents

Vol. 35, 2014, no. 1, Auga

Table of Contents Auga

p. 5 Editorial / Evelyn Austin

p. 8 ‘A View of the Seine Through the Windows behind Them’: Mary Cassatt’s In The Ombibus / Pamela A. Ivinski

p. 28 Artist Contribution – Harmony by Restriction by Geometry / Lilian Stolk

p. 38 Between Spectator and Spectacle: Dan Graham’s Two Adjecent Pavilons / Milena Behnke

p. 50 Naked: Drawing the Curtains in Early to Late Modernism / Michel Pierre Laffite

p. 62 Artist Contribution – Courtyard / Mirjam Kuitenbrouwer

p. 64 The Window: Story / Bart Verbunt

p. 78 The Word Window Will Vanish from the Dictionairies, Too: Paul Scheerbart’s Vision of Translucent Architecture / Mareike Sprendel

p. 96 Windows for Abstract and Representational Devotion: Glass in Religious Buildings of the United States ca. 1945-1980 / Carol Herselle Krinsky

p. 116 Artist Contribution – Sprockets / Alexandra Leykauf

p. 126 Looking Inside: The Windows of Sufi Saint Shrines in Istanbul / Esther Voswinckel Filiz

p. 142 Abstracts

Vol. 35, 2014, no. 2, Art Criticism in the Networked Age

Table of Contents Art Criticism in the Networked Age

p. 5 Editorial / Steyn Bergs & Masha van Vliet

p. 11 Can the Editor Match the Bot? (Part 1) / Sven Lütticken & Jorinde Seijdel

p. 25 Photogénie 2.0: The Video Essay as Evocative Equivalent of the Untranslatable Allure of Cinema / Sam Roggen

p. 42 Artist Contribution – Quinten, A Boy with a Memory as a Karaoke Movie Machine / Paul Groot

p. 47 An Art Criticism Without Words: Arguing in (Cinematic) Images / Laurence Scherz

p. 67 Digitally Based / Niels Post

p. 73 The Data Dandy by Adilkno

p. 81 Conceptual Art, Networked Criticism, and the Social / Steyn Bergs

p. 97 Can the Editor Match the Bot? (Part 2) / Sven Lütticken & Jorinde Seijdel

p. 106 Abstracts