Vol. 35, 2014, no. 1, Auga

Table of Contents Auga

p. 5 EDITORIAL / Evelyn Austin

p. 8 ‘A VIEW OF THE SEINE THROUGH THE WINDOWS BEHIND THEM’: MARY CASSATT’S IN THE OMBIBUS / Pamela A. Ivinski

p. 28 ARTIST CONTRIBUTION – HARMONY BY RESTRICTION BY GEOMETRY / Lilian Stolk

p. 38 BETWEEN SPECTATOR AND SPECTACLE: DAN GRAHAM’S TWO ADJECENT PAVILONS / Milena Behnke

p. 50 NAKED: DRAWING THE CURTAINS IN EARLY TO LATE MODERNISM / Michel Pierre Laffite

p. 62 ARTIST CONTRIBUTION – COURTYARD / Mirjam Kuitenbrouwer

p. 64 THE WINDOW: STORY / Bart Verbunt

p. 78 THE WORD WINDOW WILL VANISH FROM THE DICTIONAIRIES, TOO: PAUL SCHEERBART’S VISION OF TRANSLUCENT ARCHITECTURE / Mareike Sprendel

p. 96 WINDOWS FOR ABSTRACT AND REPRESENTATIONAL DEVOTION: GLASS IN RELIGIOUS BUILDINGS OF THE UNITED STATES CA. 1945-1980 / Carol Herselle Krinsky

p. 116 ARTIST CONTRIBUTION – SPROCKETS / Alexandra Leykauf

p. 126 LOOKING INSIDE: THE WINDOWS OF SUFI SAINT SHRINES IN ISTANBUL / Esther Voswinckel Filiz

p. 142 ABSTRACTS

 

Vol. 35, 2014, no. 2, Art Criticism in the Networked Age

Table of Contents Art Criticism in the Networked Age

p. 5 EDITORIAL/ Steyn Bergs & Masha van Vliet

p. 11 CAN THE EDITOR MATCH THE BOT? (PART 1) / Sven Lütticken & Jorinde Seijdel

p. 25 PHOTOGÉNIE 2.0: THE VIDEO ESSAY AS EVOCATIVE EQUIVALENT OF THE UNTRANSLATABLE ALLURE OF CINEMA  / Sam Roggen

p. 42 ARTIST CONTRIBUTION – QUINTEN, A BOY WITH A MEMORY AS A KARAOKE MOVIE MACHINE / Paul Groot

p. 47 AN ART CRITICISM WITHOUT WORDS: ARGUING IN (CINEMATIC) IMAGES / Laurence Scherz

p. 67 DIGITALLY BASED / Niels Post

p. 73 THE DATA DANDY / Adilkno

p. 81 CONCEPTUAL ART, NETWORKED CRITICISM, AND THE SOCIAL / Steyn Bergs

p. 97 CAN THE EDITOR MATCH THE BOT? (PART 2) / Sven Lütticken & Jorinde Seijdel

p. 106 ABSTRACTS

 

 

 

 

Vol. 36, 2015, no. 1/2, Betwixt & Between

Table of Contents Betwixt & Between

p. 5 EDITORIAL / Herbert Ploegman & Veerle Spronck

p. 11 PERFORMING THE PAGE: MATERIAL AS A STRATEGY IN THE POSTWAR ARTIST’S BOOK / Johan Pas

p. 31 ARTIST CONTRIBUTION / Ruth van Beek

p. 37 THE VIRTUALIZATION OF ARTIST’S BOOKS: THE RATIONALE OF REMEDIATION / Samuel Teixeira

p. 51 RENDERING (THE) VISIBLE: MARBLEPUBLIC: FORTUYN/O’BRIEN’S PAGINATED RETROSPECTIVE / Angela Bartholomew

p. 67 THE OBSESSION WITH THE BOOK / Alain Bourdin

p. 71 STILLANOVEL AND THE MATERIALITY OF CARL ANDRE’S POETIC ‘SCREENS’ / Helena Shaskevich

p. 81 ARTIST CONTRIBUTION – PIXEL STRESS / Anouk Kruithof

p. 91 THE PAINTER AS ILLUSTRATOR: LIVRES D’ARTISTES IN THE COLLECTION OF THE VAN GOGH MUSEUM / Marieke Jooren

p. 115 REMEMBERING THE BOOK: NOSTALGIA AND INTERMEDIALITY IN TWO CONTEMPORARY EXPERIMENTAL NOVELS / Sara Tanderup

p. 131 ARTIST CONTRIBUTION – TIERGARTEN / Johannes Schwartz

p. 138 ABSTRACTS