Vol. 34, 2013, no. 3, Artefacts

Table of Contents Artefacts

p. 4 ARTEFACTS: THE ARTIFICIAL AS CULTURAL MEDIATOR / Javier Gimeno Martínez

p. 12 ‘WHEN IT COMES TO WRITING ABOUT DESIGN, ALMOST EVERYTHING STILL NEEDS TO HAPPEN.’ AN INTERVIEW WITH PROF. TIMO DE RIJK ON STUDYING THE ORDINARY / Ragna Manz & Rosa te Velde

p. 18 THE MANY LIVES OF ART THINGS / Roel Griffioen

p. 28 ARTIST CONTRIBUTION – THE LABOURS OF SHINE / Tom Holert

p. 30 ARTIST CONTRIBUTION – PROCESSING AUTHORITIES / Diego Tonus

p. 32 ARTIST CONTRIBUTION – THE PANOPTIC SOCIETY: THE ISSUE OF INTANGIBLE CONTROL / Sil Krol

p. 38 DETECTION, DETERRENCE, DOCILITY: TECHNIQUES OF CONTROL BY SURVEILLANCE CAMERAS CONTRIBUTION / Selçuk Balamir

p. 44 MOLDING THE DESIGN CANON AT 220°C / Jetske de Groot

p. 52 OBJECTS HAVE A NIGHTLIFE TOO: CONSIDERING A CHAIR’S AGENCY / Marlies Noijens

p. 60 THE AK-47: TWENTY-FIRST CENTURY PITCHFORK / Robbert van Strien

p. 70 ULTIMA THULE, BEYOND KNOWN BORDERS: EXPLORING THE RELATIONSHIP BETWEEN DESIGN AND FINNISH NATIONAL IDENTITY / Rosa te Velde

p. 80 THE INVENTION OF A LEGENDARY NOTEBOOK: PRODUCING AUTHENTICITY THROUGH STORYTELLING / Souwie de Wijn

p. 90 ABSTRACTS

p. 92 EDITORIAL / Ragna Manz & Rosa te Velde

Vol. 34, 2013, no. 1/2, The Public Market

Table of Contents The Public Market

p. 8 EDITORIAL / Maeike Kimsma & Jesse van Winden

p. 12 REPRESSIEF LIBERALISME: OVER KUNST, MARKT EN CULTUURBELEID IN NEDERLAND / Pascal Gielen

p. 20 KUNSTENAARSBIJDRAGE – CENSUUR / Ruben Pater

p. 24 DE FINANCIERING VAN DE CULTURELE SECTOR IN NEDERLAND / Berend Jan Langenberg

p. 34 DE FINANCIALISERING VAN KUNST / Olav Velthuis & Erica Coslor

p. 46 ALLES WAT VAST IS, VERVLUCHTIGT / Jelle van Baardewijk & Roel Griffioen

p. 56 AMSTERDAM’S NEW EXCHANGE AND THE PROLETARIANS: A SELECTION FROM THE ARCHITECTURAL WEEKLY, DE OPMERKER / Zachary Formwalt

p. 72 OVERHEIDSSTEUN IN DE NEGENTIENDE EEUW: DE WISSELWERKING TUSSEN OVERHEIDSBELEID, KUNSTMARKT EN COMMERCIËLE MENTALITEIT / Suzanne Pennington de Jongh

p. 82 PRESTIGE IN PLAATS VAN PASSIE: OVER DE VERANDERDE KUNSTMARKT / Marine Aarts

p. 88 THE CRISIS IN MOCA: THE CULTURE INDUSTRY AND THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES / Angela Bartholomew

p. 94 BLACK HOLE ALERT: NOTES ON THE INDONESIAN CONTEMPORARY ART MARKET / Mitha Budhyarto

p. 100 SPECTERS OF THE NATION: CONTEMPORARY INDIAN ART, THE NATIONAL GALLERY OF MODERN ART AND THE MARKET / Kallol Ray

p. 106 SAMEN ONTBIJTEN ALS MAATSCHAPPIJKRITIEK: OVER ROBERT FILLIOU, FLUXUS EN POËTISCHE ECONOMIE / Rieke Vos

p. 114 PLEIDOOI VOOR HET GEVEN: WAT HEEFT HET MECENAAT TE BIEDEN AAN KUNST EN CULTUUR? / Renée Steenbergen

p. 122 ABSTRACTS

 

Vol. 33, 2012, no. 1, Music

Table of Contents Music

p. 2 REDACTIONEEL / Maeike Kimsma & Maarten van ‘t Klooster

p. 6 VERLICHTING EN VERLOSSING: HET MYSTIEKE STREVEN NAAR HET TOTAALKUNSTWERK / Michel Didier

p. 16 FROM HAPPENING TO OPERA: ‘THE CONSTRUCTION OF BOSTON’ / Evelyn Austin

p. 20 AFWEZIGHEID: OVER SAM TAYLOR-WOODS’ ‘SIGH’ OP DE OMSLAG / Maeike Kimsma

p. 22 VISUAL MUSIC / Marit van Rijn

p. 30 ACOUSTIC SHAPINGS: SOUND, FILM AND SCULPTURE / Nora M. Alter

p. 38 PHONOTEKTONIEK: MUZIEK BOUWEN / Jacob Voorthuis

p. 48 RESTRAINED SOFT STATEMENTS AND EXTENDED IDEAS: JAZZ ALS KUNSTVORM / Stefan de Graaf

p. 56 KUNSTENAARSBIJDRAGE – PIRATE MEDIA: AN AFFECTIVE FILM EXPERIENCE / Taf Hassam

p. 60 KUNSTENAARSBIJDRAGE – ‘THE CRISIS IN CULTURE’: JEREMIAH DAY ON FUGAZI AND HANNAH ARENDT

p. 66 MASSES FOR THE MUSIC: MUZIEK ALS MUZE EN MARKETING / Maarten van ‘t Klooster

p. 78 COMPONISTENBIJDRAGE – ‘MARKO KASSENAARS SILENZIO / Maarten van ‘t Klooster

p. 80 COMPONISTENBIJDRAGE – KLANKONTWERP: DE ALGORITMISCHE COMPOSITIES VAN OLAF KERCKHAERT / Ragna Manz

p. 84 STELIOS MANOUSAKIS: BESTUURDER VAN EEN SONISCH ECOSYSTEEM / Robert Muis

p. 96 LIJFELIJKE COMMUNICATIE: EEN FENOMENOLOGISCH PERSPECTIEF OP DE ERVARING VAN MUZIEK EN ARCHITECTUUR / Ralph Brodrück

p. 102 EDITORIAL / Maeike Kimsma & Maarten van ‘t Klooster

p. 106 ABSTRACTS

Vol. 32, 2011, no. 4, Shaping the Archive

Table of Contents Shaping the Archive

p. 2 REDACTIONEEL / Roel Griffioen & Minke Walda

p. 6 ‘FUCK THE SYSTEM!’ / Roel Griffioen

p. 12 ALLES IN ORDE / Jeroen Smid

p. 16 BETWEEN PARANOIA AND COUNTER-MEMORY: DIERK SCHMIDT’S TRIPTYCH: XENOPHOBE, FREEDOM AND UNTITLED (LOUVRE) (2001/2002) / Veronica Tello

p. 24 BEHIND BARS: ARTISTIC APPROPRIATION OF PRISONER’S HEADSHOTS IN THE WORKS OF SUSANA DE SOUSA DIAS, BINH DANH AND CLARISSE HAHN / Stéphanie Benzaquen

p. 34 HET ARCHIEF VAN EEN ONNAVOLGBARE GEEST: HET WERK VAN HORST ADEMEIT / Ragna Manz

p. 40 DE HAPPENING IS VOORBIJ: FLARDEN VAN HERINNERING AAN ALLAN KAPROWS VERGANKELIJKE WERK / Imara Limon

p. 48 ‘DAT NOEMEN ZE ANTROPOLOGIE, MAAR WIJ VINDEN HET GEWOON FUCKING FASHION!’ INTERVIEW MET ARI VERSLUIS EN ELLIE UYTTENBROEK OVER EXACTITUDES / Roel Griffioen & Jesse van Winden

p. 58 ARCHITECTURAL AMBIDEXTERITY / Ioanna Angelidou

p. 68 KUNSTENAARSBIJDRAGE – SYSTEEMPOËZIE: HET PROJECT ALFABET, HERKOMSTLAND, KLEUR, HOOGTE, VORM VAN RUBEN DOORNWEERD / Roel Griffioen

p. 72. EDITORIAL / Roel Griffioen & Minke Walda

p. 74 ABSTRACTS

Vol. 32, 2011, no. 3, Mediality

Table of Contents Mediality

p.2 REDACTIONEEL / Daniël van der Poel & Jesse van Winden

p. 6 INTERMEDIALITIES: A BRIEF SURVEY OF CONCEPTUAL KEY ISSUES / Ginette Verstraete

p. 12 IMAGING PURITY: THE RHETORIC OF THE PHOTOGRAPHIC IMAGE IN LE CORBUSIER’S VERS UNE ARCHITECTURE / Roel Griffioen

p. 24 MAIL ART: EEN SOCIAAL NETWERK VOOR DE KUNST / Leen Bedaux

p. 30 THE INTERMEDIALITY OF DRAWING: TOWARDS A THEORY OF RECEPTION? / Laurence Schmidlin

p. 38 AUTHENTIC MEDIATION: ART, MEDIA, AND PUBLIC SPACE IN MAY ’68 / Sami Siegelbaum

p. 50 ANALOGUE/DIGITAL: REFERENTIALITY AND INTERMEDIALITY / Jens Schröter

p. 58 REVISITING THE FUTURE: STRATEGIES OF TRANSFORMATION IN GERARD BYRNE’S 1984 AND BEYOND / Tanja von Dahlern

p. 68 SHELL-SHOCKED AGAIN AND AGAIN: REGARDING HARUN FAROCKI’S IMMERSION / Daniël van der Poel

p. 80 INTERVIEW MET GERT JAN KOCKEN / Daniël van der Poel

p. 88 ABSTRACTS

Vol. 38, 2017 no. 1/2, Breaking the Frame: Subversion from Within

Breaking the Frame: Subversion from Within looks at artists who undermine institutional conventions, and frequently institutional space, to pose a challenge to authority. But it also takes into consideration the fact that “subversive art — like subculture in general — is perpetually at risk of being maneuvered into the cultural mainstream.” With an editorial by Angela Bartholomew and articles by Susan Power, Catalina Imizcoz, Rachel Schwartz, Alida Jekabson, Isabelle Sully, Eva Fotiadi, Rosa te Velde, and Luna Goldberg, and including artist’s contributions by Gian Luigi Biagini, Patricia Kaersenhout, and Dick Verdult.

Breaking the Frame: Subversion from Within looks at artists who undermine institutional conventions, and frequently institutional space, to pose a challenge to authority. But it also takes into consideration the fact that “subversive art — like subculture in general — is perpetually at risk of being maneuvered into the cultural mainstream.” With an editorial by Angela Bartholomew and articles by Susan Power, Catalina Imizcoz, Rachel Schwartz, Alida Jekabson, Isabelle Sully, Eva Fotiadi, Rosa te Velde, and Luna Goldberg, and including artist’s contributions by Gian Luigi Biagini, Patricia Kaersenhout, and Dick Verdult.

To table of contents

Vol. 35, 2014, no. 1, Auga

Table of Contents Auga

p. 5 EDITORIAL / Evelyn Austin

p. 8 ‘A VIEW OF THE SEINE THROUGH THE WINDOWS BEHIND THEM’: MARY CASSATT’S IN THE OMBIBUS / Pamela A. Ivinski

p. 28 ARTIST CONTRIBUTION – HARMONY BY RESTRICTION BY GEOMETRY / Lilian Stolk

p. 38 BETWEEN SPECTATOR AND SPECTACLE: DAN GRAHAM’S TWO ADJECENT PAVILONS / Milena Behnke

p. 50 NAKED: DRAWING THE CURTAINS IN EARLY TO LATE MODERNISM / Michel Pierre Laffite

p. 62 ARTIST CONTRIBUTION – COURTYARD / Mirjam Kuitenbrouwer

p. 64 THE WINDOW: STORY / Bart Verbunt

p. 78 THE WORD WINDOW WILL VANISH FROM THE DICTIONAIRIES, TOO: PAUL SCHEERBART’S VISION OF TRANSLUCENT ARCHITECTURE / Mareike Sprendel

p. 96 WINDOWS FOR ABSTRACT AND REPRESENTATIONAL DEVOTION: GLASS IN RELIGIOUS BUILDINGS OF THE UNITED STATES CA. 1945-1980 / Carol Herselle Krinsky

p. 116 ARTIST CONTRIBUTION – SPROCKETS / Alexandra Leykauf

p. 126 LOOKING INSIDE: THE WINDOWS OF SUFI SAINT SHRINES IN ISTANBUL / Esther Voswinckel Filiz

p. 142 ABSTRACTS

 

Vol. 35, 2014, no. 2, Art Criticism in the Networked Age

Table of Contents Art Criticism in the Networked Age

p. 5 EDITORIAL / Steyn Bergs & Masha van Vliet

p. 11 CAN THE EDITOR MATCH THE BOT? (PART 1) / Sven Lütticken & Jorinde Seijdel

p. 25 PHOTOGÉNIE 2.0: THE VIDEO ESSAY AS EVOCATIVE EQUIVALENT OF THE UNTRANSLATABLE ALLURE OF CINEMA  / Sam Roggen

p. 42 ARTIST CONTRIBUTION – QUINTEN, A BOY WITH A MEMORY AS A KARAOKE MOVIE MACHINE / Paul Groot

p. 47 AN ART CRITICISM WITHOUT WORDS: ARGUING IN (CINEMATIC) IMAGES / Laurence Scherz

p. 67 DIGITALLY BASED / Niels Post

p. 73 THE DATA DANDY / Adilkno

p. 81 CONCEPTUAL ART, NETWORKED CRITICISM, AND THE SOCIAL /Steyn Bergs

p. 97 CAN THE EDITOR MATCH THE BOT? (PART 2) / Sven Lütticken & Jorinde Seijdel

p. 106 ABSTRACTS

 

 

 

 

Vol. 36, 2015, no. 1/2, Betwixt & Between

Table of Contents Betwixt & Between

p. 5 EDITORIAL / Herbert Ploegman & Veerle Spronck

p. 11 PERFORMING THE PAGE: MATERIAL AS A STRATEGY IN THE POSTWAR ARTIST’S BOOK / Johan Pas

p. 31 ARTIST CONTRIBUTION / Ruth van Beek

p. 37 THE VIRTUALIZATION OF ARTIST’S BOOKS: THE RATIONALE OF REMEDIATION / Samuel Teixeira

p. 51 RENDERING (THE) VISIBLE: MARBLEPUBLIC: FORTUYN/O’BRIEN’S PAGINATED RETROSPECTIVE / Angela Bartholomew

p. 67 THE OBSESSION WITH THE BOOK / Alain Bourdin

p. 71 STILLANOVEL AND THE MATERIALITY OF CARL ANDRE’S POETIC ‘SCREENS’ / Helena Shaskevich

p. 81 ARTIST CONTRIBUTION – PIXEL STRESS / Anouk Kruithof

p. 91 THE PAINTER AS ILLUSTRATOR: LIVRES D’ARTISTES IN THE COLLECTION OF THE VAN GOGH MUSEUM / Marieke Jooren

p. 115 REMEMBERING THE BOOK: NOSTALGIA AND INTERMEDIALITY IN TWO CONTEMPORARY EXPERIMENTAL NOVELS / Sara Tanderup

p. 131 ARTIST CONTRIBUTION – TIERGARTEN / Johannes Schwartz

p. 138 ABSTRACTS

Vol. 35, 2014, no. 3/4, Speculari

Table of Contents Speculari

p. 7 EDITORIAL / Rana Ghavami & Ragna Manz

p. 9 SPECULATIVE DRAWINGS / Armen Avanessian & Andreas Töpfer

p. 23 THE EXHIBITION AS SPECULATIVE DESIGN: AN EPISTEMIC OBJECT / Gillian Russell

p. 37 WHY HEART ATTACKS COULD BE A THING OF THE PAST: READING AND VALUING SPECULATIVE DESIGN / James Auger

p. 59 ARTIST CONTRIBUTION – “MAKE IT BIG AND FLAT” / Jonas Lund

p. 69 HERE AND NOW: GHOSTS OF FUTURES PAST / Lara Schrijver

p. 83 AN UNCOMFORTABLE IMAGINATION / Carl DiSalvo

p. 93 ON THE IMPATIENCE OF ACCELERATIONISM / Thijs Witty

p. 108 ABSTRACTS

p. 111 ARTIST CONTRIBUTION / Bottbass