2025 1/2 Online Curating

Description

Editorial Note

Kunstlicht Collective

Editorial Introduction

Annet Dekker

Full Stack Fabulator (or the Promethean Curator)

Denise Twaithes

Online Focalisation, Stretched Time, and The Curatorial Imaginary: The Case of MHHK – an Interview With Ricardo Liong-A-Kong

Floris Paalman

Platform Curating as Interference. A Brief History of Online Interventions in the Corporate Digital Sphere

Marialaura Ghidini

Blue Ocean: Iterative Manifestations

Carly Whitaker

Turning Pages Digitally: DMV Color and Missed Curatorial Opportunities

Chiara Tamborrino

Paik Replayed: Non-Digital Art Transformed by Hybrid Exhibition Practices

Lívia Nolasco-Rózsás, Erika Marthins, and Patrick Keller

From Pixels to Praxis: Digital-first Museum Practices and Curating

Susana Vargas-Mejía and Juaniko Moreno

VISUAL CONTRIBUTION

Xenogenesis

XenoVisual Studies collective

A People’s Atlas of Nuclear Colorado: a Review

Lorena Berrueco Rodríguez

From Online Listening to Sound Collecting and more: A Case Study of The Library by soundpocket

Vanessa Lai Wing Yan

The disruptive labour of the designed interactions of an exhibition on the web

Lisa Marie Sneijder

VISUAL CONTRIBUTION

My Favorite News Goes Nuclear

Hsiang-Yun Huang

The road to institutionalised practice is filled with posts, likes and shares

Bilyana Palankasova

Unexpected Mass Audience

Pita Arreola-Burns and Elliott Burns

Nested Ideologies

Naomi van Dijck

Postscript: A Human-Machine Collaboration

Annet Dekker