Editorial Note
Kunstlicht Collective
Editorial Introduction
Annet Dekker
Full Stack Fabulator (or the Promethean Curator)
Denise Twaithes
Online Focalisation, Stretched Time, and The Curatorial Imaginary: The Case of MHHK – an Interview With Ricardo Liong-A-Kong
Floris Paalman
Platform Curating as Interference. A Brief History of Online Interventions in the Corporate Digital Sphere
Marialaura Ghidini
Blue Ocean: Iterative Manifestations
Carly Whitaker
Turning Pages Digitally: DMV Color and Missed Curatorial Opportunities
Chiara Tamborrino
Paik Replayed: Non-Digital Art Transformed by Hybrid Exhibition Practices
Lívia Nolasco-Rózsás, Erika Marthins, and Patrick Keller
From Pixels to Praxis: Digital-first Museum Practices and Curating
Susana Vargas-Mejía and Juaniko Moreno
VISUAL CONTRIBUTION
Xenogenesis
XenoVisual Studies collective
A People’s Atlas of Nuclear Colorado: a Review
Lorena Berrueco Rodríguez
From Online Listening to Sound Collecting and more: A Case Study of The Library by soundpocket
Vanessa Lai Wing Yan
The disruptive labour of the designed interactions of an exhibition on the web
Lisa Marie Sneijder
VISUAL CONTRIBUTION
My Favorite News Goes Nuclear
Hsiang-Yun Huang
The road to institutionalised practice is filled with posts, likes and shares
Bilyana Palankasova
Unexpected Mass Audience
Pita Arreola-Burns and Elliott Burns
Nested Ideologies
Naomi van Dijck
Postscript: A Human-Machine Collaboration
Annet Dekker