Table of Contents Auga
p. 5 EDITORIAL / Evelyn Austin
p. 8 ‘A VIEW OF THE SEINE THROUGH THE WINDOWS BEHIND THEM’: MARY CASSATT’S IN THE OMBIBUS / Pamela A. Ivinski
p. 28 ARTIST CONTRIBUTION – HARMONY BY RESTRICTION BY GEOMETRY / Lilian Stolk
p. 38 BETWEEN SPECTATOR AND SPECTACLE: DAN GRAHAM’S TWO ADJECENT PAVILONS / Milena Behnke
p. 50 NAKED: DRAWING THE CURTAINS IN EARLY TO LATE MODERNISM / Michel Pierre Laffite
p. 62 ARTIST CONTRIBUTION – COURTYARD / Mirjam Kuitenbrouwer
p. 64 THE WINDOW: STORY / Bart Verbunt
p. 78 THE WORD WINDOW WILL VANISH FROM THE DICTIONAIRIES, TOO: PAUL SCHEERBART’S VISION OF TRANSLUCENT ARCHITECTURE / Mareike Sprendel
p. 96 WINDOWS FOR ABSTRACT AND REPRESENTATIONAL DEVOTION: GLASS IN RELIGIOUS BUILDINGS OF THE UNITED STATES CA. 1945-1980 / Carol Herselle Krinsky
p. 116 ARTIST CONTRIBUTION – SPROCKETS / Alexandra Leykauf
p. 126 LOOKING INSIDE: THE WINDOWS OF SUFI SAINT SHRINES IN ISTANBUL / Esther Voswinckel Filiz
p. 142 ABSTRACTS