VOL. 44 NO. 1, 2023, Failing on Time

FOREWORD
Lisa Marie Sneijder

INTRODUCTION
Dunja Nešović

1ST SPREAD ARTIST CONTRIBUTION POSTPONED UNTIL FURTHER NOTICE

SUSPENDED FUTURES: FAILURE AS PERSISTENCE IN HOPE
Monika Dybalska

2ND SPREAD ARTIST CONTRIBUTION POSTPONED UNTIL FURTHER NOTICE

THE NEED FOR UNLOVED OBJECTS
Pascale de Graaf

3RD SPREAD ARTIST CONTRIBUTION POSTPONED UNTIL FURTHER NOTICE

CINEMA’S CREEPING CRISIS: FROM TECHNO-SOLUTIONISM TO MEGAMERGERS
Nina Köll

4TH SPREAD ARTIST CONTRIBUTIONPOSTPONED UNTIL FURTHER NOTICE

RIOTOUS REPETITION: MUTANT FLOWERS, BAROQUE ARCHITECTURE AND SLAPSTICK COMEDY
Daphne de Sonneville

5TH SPREAD ARTIST CONTRIBUTION POSTPONED UNTIL FURTHER NOTICE

LATENESS AND RESISTANCE: TEMPORALITY AND MOURNING IN VITALINA VARELA
Benedikt Rudischhauser

6TH SPREAD ARTIST CONTRIBUTION POSTPONED UNTIL FURTHER NOTICE

POSTPONED UNTIL FURTHER NOTICE: FAILING ON TIME?
Marijn Bril, Ivana Emily Škoro — with footnotes by Ivy Go, Jordi Viader Guerrero, Yoojin Lee, Lee McDonald, Sebastián Mira, and Maruša Uhan

VOL. 43 NO. 4, 2022, Labour of Love

INTRODUCTION
The Editorial Board

FREEDOM FROM TIME: FORGETTING EPNA, 1975-1978
Maja Klaassens

WHY WE MEND: GARMENT REPAIR AS A LABOUR OF LOVE EXAMINING THE RESTORATIVE NATURE OF MENDING, AND ITS POSITION AS AN ACT OF CARE
Hannah Heaf

REPAIRING EARTHQUAKE PROJECT, PLASTIC BOTTLE (2015)
Nishiko

LOVE IN THE BLACK WAVE
Olivera Bucalović and Oriane Edwards

SOFTENING THE LINES: THE DECOLONIAL TURN OF THE BLACK PANTHER NEWSPAPER
Lisa Marie Sneijder

LOVE IS A DAILY PRACTICE A CONVERSATION BETWEEN
Rosa de Graaf and Suzanne Weenink

SLEEPING WOMEN: A CALL FOR RUMPLED SHEETS
Joyce Poot

LOVE LETTERS TO A ROOM
line kramer

Cover: Epna promotional material: Leave New York, 1975, 28 x 42 cm, E05.01, The Archives: Peter van Beveren Library, The Hague. Printed by RISO by RisoWiso, Arnhem.

VOL. 43 NO. 2, 2022, Algorhythms: Living in and out of Sync with Technology

Foreword
By Joyce Poot & Anna Sejbæk Torp-Pedersen

Introduction
By Evelyn Wan

TURNING TO THE BIRDS: WALKING WITH CLIMATE FICTION
By Natalia Sánchez Querubín & Sabine Niederer

CO-COMPOSING THE PERCEPTIBLE ACROSS AFFECTIVE, PAINTERLY, AND COMPUTATIONAL GENERATIVITIES
By Nicole De Brabandere

Artist Contribution
By Sander Breure & Witte van Hulzen

Extraction, Temporality, and the Digital: three layers of Simon Denny’s “Mine”
By Jaxon Waterhouse and Chantelle Mitchell

Healing the Internet: Exposing Colonial Histories, Caring for Alternative Futures in Tabita Rezaire’s Deep Down Tidal. 
By Rosa Wevers

Artist Contribution
By Jean Katambayi

Freedom of Sleep: A Practice of Rhythming Otherwise
By Anabelle Lacroix

Counter-Algorhythmics as Prefigurative Dances of CommOnism
By Shintaro Miyazaki

Abstracts

Colophon

 

Cover: Rafaël Rozendaal, Accumulation, 2022. RISO by RisoWiso, Arnhem.

VOL. 43 NO 1, 2022, SÜNYA: STARTING FROM ZERO

Table of Contents

4. Foreword – Joyce Poot and Anna Sejbæk Torp-Pedersen

5. Introduction Sūnya: Starting from Zero – Maria Chiara Miccoli

10. The Experience Takes Your Place: śūnyatā as key to the intimacy of visual perception – Nina Romijn

19. Inspiration and Expiration as a Confrontation with Nothingness – Irma Den Hertog

22. How to Cope with Being a Zero Amidst Ones: Existentialism, Nothingness & Binarisms – Maithri

27. Possible Drawings- Wouter Huis

36. The Black Holes of Perception – Evelina Domnitch and Dmitry Gelfand

41. 0 Starting from Zero at VU Art Science Gallery

54. Ecological Intermezzo – Nina Romijn

55. Symbiosis: Future, Nature & Technology: Epilogue – Sem I. Bannenberg

VOL. 42 NO 3/4, 2021, THE WORLDLINESS OF OIL

TABLE OF CONTENTS

COVER IMAGE & TEXT “SQUEEZE LIKE LEMON”- Clementine Edwards

4. FOREWORD – Joyce Poot and Anna Sejbæk Torp-Pedersen

5. INTRODUCTION: THE WORLDLINESS OF OIL. RECOGNITION AND RELATIONS – Anne Szefer Karlsen and Helga Nyman

9. THE DREAMS OF THE PEOPLE: BAHIA BENCHEIKH EL FEGOUN’S “DREAM FRAGMENTS” – Natasha Marie Llorens

15. FROM THE “COURT FOR INTERGENERATIONAL CLIMATE CRIMES”: THE LIVES AND DEATHS OF OIL – Ashley Maum

26. RUMINATIONS ON PETROPUBLICS ACROSS BORDERS – Sanaz Sohrabi

36. SHADES: TRACING PETROMODERNITY THROUGH COLOUR IN RAJA’A KHALID’S “SOLAR FLARE, ALWAYS RED” – Murtaza Vali

46. “OIL IS NOT EXTRACTED EASILY, OUR LIVES ARE SACRIFICED FOR IT”: IRANIAN OIL FICTION – Niloufar Nematollahi

50. “VEIN” – Tove Kommedal

52. THEY LOVE ME, THEY LOVE ME NOT: POETICS OF GENERATIONAL RESPONSIBILITY – Marie Skretting

54. WILL THE RAVENS TURN WHITE? ARTISTS JESSIE KLEEMANN AND INUUTEQ STORCH ON GREENLANDIC OIL FUTURES – Anna Sejbæk Torp-Pedersen

63.  IMAGINING ACTIVISM: BLACK, GOLD, DUST – Roshini Kempadoo

69. THE PLASTICITY OF TIME, “MNGRV” – Susanne Kriemann and Ruby de Vos in conversation

78.  VISIBLE PIPELINES IN CONTEMPORARY RUSSIAN VISUAL CULTURE-  María Matilde Morales

86.  SPILLS, CURRENTS, FLOWS: DISRUPTING THE HEGEMONY OF PETROCAPITALISM WITH WATER – Agnieszka Wodzińska

96.  NORTH SEA OIL AND GAS: TANJA ENGELBERTS – Anna-Rosja Haveman

112. ABSTRACTS

116. COLOPHON

VOL. 42 NO 1/2, 2021, SPELLBOUND

TABLE OF CONTENTS

p. 4 FOREWORD – Joyce Poot & Anna Sejbæk Torp-Pedersen

p. 6 INTRODUCTION: NAOMI COLLIER BROMS & AMALIA CALDERÓN – Anna Sejbæk Torp-Pedersen

SPELLS FOR SKY SERENADERS & WATER WORSHIPPERS: ENCOUNTERS WITH THE MOON, THE SEA, AND SHAPESHIFTING VOICES – Naomi Collier Broms & Amalia Calderón

p. 8 I. Forgotten Magic: Day to Day Childhood Rituals

p. 10 INTRODUCTION: MAYA DOYTCHINOVA – Lisa Marie Sneijder

MERCURY’S MUSE – Maya Doytchinova

p. 20 INTRODUCTION: DUNJA NEŠOVIĆ – Agnieszka Wodzińska

THIS IS MEANT FOR YOU: A MANIFESTATION OF THE ALGORITHMIC IMAGINARY ON TIKTOK – Dunja Nešović

p. 29 INTRODUCTION: ALEXANDER SPORRE – Fabienne Chiang

PARALLEL UNIVERSES OF THE SELF – Alexander Sporre

p. 35 INTRODUCTION: GEORGIA KAREOLA – Esther Scholtes

GROVE IS IN THE HEART: AN EXPLORATION OF HUMAN AND NON-HUMANAGENCYINPOST- ANTHROPOCENIC RITUALS – Georgia Kareola

p. 44 INTRODUCTION: JULIA VISSER – Jasmijn Tony Elfriede Mol

0RPHAN-DRIFT’S BECOMING OCTOPUS MEDITATIONS
AN ARGUMENT FOR THE USE OF FICTION AND THE SUPERNATURAL – Julia Visser

p. 54 INTRODUCTION: FABIENNE RACHMADIEV – Olivera Bucalović

FEMALE SHAMANS: HEALING RITUALS FOR ENVIRONMENTAL CATASTROPHE IN THE WORK OF ALMAGUL MENLIBAYEVA – Fabienne Rachmadiev

p. 64 II. Spell for Liminality

p. 67 III. Sex Spells

p. 70 INTRODUCTION: CONVERSATION BETWEEN FEMMY OTTEN AND CHARLOTTE CREVITS – Joyce Poot

INTERVIEW: CONVERSATION BETWEEN FEMMY OTTEN AND CHARLOTTE CREVITS

p. 78 INTRODUCTION: ADELE DIPASQUALE – Manuela Zammit

MAGICAL CEREMONIES OF LANGUAGE HEALING, BINDING AND THINKING THROUGH WORDS – Adele Dipasquale

p. 88 INTRODUCTION: AIMILIA EFTHIMIOU – Anna Sejbæk Torp-Pedersen

HERBS FOR LOVE – Aimilia Efthimiou

p. 92 INTRODUCTION: VICTORIA GIANG – Kimberly van Kleef

MAGIC ON THE MARKET – Victoria Giang

p. 100 INTRODUCTION: FABIENNE CHIANG – Danica Pinteric

RITUALS OF HEALING: THE ARTIST AS SHAMAN – Fabienne Chiang

p. 109 IV. The Witch & The Siren: Chapter 2

p. 115 V. Mouthwhippers & Mooncussers

p. 120 ABSTRACTS

p. 128 COLOPHON

VOL. 41 NO 4, 2020, ASSESSING RISK: ON STRATEGIES FOR HEALTH, SAFETY, AND WELFARE WITHIN ARTS PRACTICE

TABLE OF CONTENTS

p. 5. FOREWORD – Joyce Poot & Anna Sejbæk Torp-Pedersen

p. 7. GUIDANCE NOTE 1: GUEST EDITORS – Isabelle Sully & Eloise Sweetman

p. 8. GUIDANCE NOTE 2: ELIZABETH NEWMAN

p. 9. THE DISTANCE BETWEEN REPRESENTATION AND DOMINATION, OR… WHY WE DO NOT WANT A GOVERNMENT THAT SAYS WHAT IT MEANS, AND MEANS WHAT IT SAYS – Elizabeth Newman

p. 16. GUIDANCE NOTE 3: MARK FRIEDLANDER

p. 17. RISK DIALOGUES – Mark Friedlander

p. 24. GUIDANCE NOTE 4: ANNA DAUČÍKOVÁ

p. 25. ARTIST CONTRIBUTION: UNTITLED [FIRST AID] (1995) – Anna Daučíková

p. 30. GUIDANCE NOTE 5: AMY GOWEN

p. 31. TO PERMEATE THE WALLS AND FLOORS: THE COHABITATION OF VISIBLE AND INVISIBLE INFRASTRUCTURES IN SMALL-SCALE ARTS ORGANIZATIONS – Amy Gowen

p. 40. GUIDANCE NOTE 6: JOSEPH GRIGELY

p. 41. ARTIST CONTRIBUTION: FUCK YOU (2020), BE NICE (2020) – Joseph Grigely

p. 44. GUIDANCE NOTE 7: SRAJANA KAIKINI

p. 45. THE AESTHETICS OF RISK IN ARTISTIC PRACTICE: WHAT IS AT STAKE? – Srajana Kaikini

p. 54. GUIDANCE NOTE 8: VALENTINA CURANDI

p. 55. ARTIST CONTRIBUTION: THIS LABOUR (THAT)
IS NOT MEANT TO BE SECURED: A PROPOSITION OF BEQUEATHMENT (2020) – Valentina Curandi

p. 64. GUIDANCE NOTE 9: LEE KIT

p. 65. ARTIST CONTRIBUTION: HAND-PAINTED CLOTH USED AS FLAG (2004) – Lee Kit

p. 66. GUIDANCE NOTE 10: TOM CLARK

p. 67. THE MAINTAINER AND THE ROGUE READER – Tom Clark

p. 76. ABSTRACTS

p. 80. COLOPHON