p. 6 EDITORIAL / Angela M. Bartholomew
p. 14 1 MB COMMUNICATIONS / Dick Verdult
p. 18 PASSIONAL FUSION/ EMAIL CORRESPONDENCE / Gian Luigi Biagini
p. 26 BERTRAND LAVIER PRESENTS / Susan L. Power
p. 34 EL PINTOR GORDÍN EN EL ICI / Catalina Imizcoz
p. 44 “THERE IS NO ROOM IN LONDON LIKE IT”: JAMES MCNEIL WHISTLER’S PEACOCK ROOM / Rachel E. Schwartz
p. 55 AT THE EDGE OF THE FRAME: ON THE ARTWORK AS LOBBY AND FIONA CONNOR’S A LETTER, OFFICE MOVE AND A BOOK / Isabelle Sully
p. 65 SOCIAL STRUCTURES: HÉLIO OITICICA’S PARANGOLÉ / Alida Jekabson
p. 76 PATRICIA KAERSENHOUT: REVEALING BLACK SPOTS IN THE RADIANT WHITE CUBE / Rosa te Velde
p. 81 REASSEMBLING A RUIN: COMMISSIONING CONTROVERSY / Rosa te Velde
p. 91 FROM AUTONOMOUS TO GENERALLY APPLICABLE ART / Eva Fotiadi
p. 105 CATCH-22: CONTEMPORARY ART AND POLITICAL INFLUENCE IN ISRAEL / Luna Goldberg
p. 116 PASSPORT FOR THE INVISIBLE / Gian Luigi Biagini
p. 124 ABSTRACTS