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Vol. 45, no. 1/2 Reverberant Ecologies: On the Relational Impact of Sonic Practices
Vol. 44, No. 4: Between the Standing and the Inclined: Structures Supporting Change
VOL. 44 NO. 2/3, 2023, Nosetalgia
VOL. 44 NO. 1, 2023, Failing on Time
VOL. 43 NO. 4, 2022, Labour of Love
VOL. 43 NO. 2, 2022, Algorhythms: Living in and out of Sync with Technology
VOL. 43 NO 1, 2022, SÜNYA: STARTING FROM ZERO
VOL. 42 NO 3/4, 2021, THE WORLDLINESS OF OIL
VOL. 42 NO 1/2, 2021, SPELLBOUND
VOL. 41 NO 4, 2020, ASSESSING RISK: ON STRATEGIES FOR HEALTH, SAFETY, AND WELFARE WITHIN ARTS PRACTICE
VOL. 41 NO 2-3, 2020, WRITING NEW LEGENDS / (MIS)INTERPRETING MAPS
VOL. 41 NO 1, 2020, ON REPRESENTATION
VOL. 40 NO. 4, 2019, ON MECHANICAL EYES: SEEING MACHINES
VOL. 40 NO. 3, 2019, CONTESTING HISTORIES: ART PRACTICES OF/FOR JUSTICE
VOL. 40 NO. 1-2, 2019, RADICAL IMAGININGS: ART PRACTICES OF/FOR JUSTICE
VOL. 39, NO 3/4, 2018, NUCLEAR AESTHETICS
VOL. 39, NO 2, 2018, UNPACKING RESIDENCIES: SITUATING THE PRODUCTION OF CULTURAL RELATIONS
VOL. 39, 2018, NO. 1, GLOBALIZING ART’S HISTORIES: POLITICS AND PARADOXES
VOL. 38, 2017, NO. 4, MEDIATED IMAGINATIONS: TECHNOLOGIES TOUCHING UPON ART
Vol. 38, 2017, no. 3, Claiming Space: Subversion by Incursion
Vol. 38, 2017 no. 1/2, Breaking the Frame: Subversion from Within
Vol. 37, 2016, no. 3/4, Translation as Method
Vol. 37, 2016, no. 2, Constructed Identities
Vol. 37, 2016, no. 1, Cultural Policies Agendas of Impact
Vol. 36, 2015, no. 4, Persona Perform Present
Vol. 36, 2015, no. 3, Persona Impose Enact
Vol. 36, 2015, no. 1/2, Betwixt & Between
Vol. 35, 2014, no. 3/4, Speculari
Vol. 35, 2014, no. 2, Art Criticism in the Networked Age
Vol. 35, 2014, no. 1, Auga
Vol. 34, 2013, no. 4, Mind the Map
Vol. 34, 2013, no. 3, Artefacts
Vol. 34, 2013, no. 1/2, The Public Market
Vol. 33, 2012, no. 4, Connected Dots
Vol. 33, 2012, no. 2/3, Ut Pictura Poesis
Vol. 33, 2012, no. 1, Music
Vol. 32, 2011, no. 4, Shaping the Archive
Vol. 32, 2011, no. 3, Mediality
Vol. 32, 2011, no. 1/2, Volgens plan
Kunstlicht Archive 1980-2011
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